I am coming to this place to keep myself accountable. I thank anyone who is reading for helping in that. Most of these things are items I said I would do. I just need to say, "I did them." Helps me to feel pride and move on to further action. Feel free to post your own ongoing action--nothing is too small. We need to inspire each other and keep each other going in this time of flux and opportunity.
*Still eliminating catalogs as I get new ones. As they come in, I go to catalogchoice.org. I have even been doing this for the catalogs I do like (Today I got Title Nine and DharmaCrafts--both of which I love) because I don't really need to be spending right now and if I have money to burn, they do have a presence online.
*Refurbished the dirt in my square foot garden (SFG). Put a grid in place over it. Strung my trellis. I am ready to go on this SFG project. Hubby took down the kids wooden swing set. I am going to convert the spot under it to a new SFG bed. Mark took the platform off the top of the playhouse. We are converting that into a stage for Maren, our actress.
*Started composting. Bought a kitchen composter with a carbon filter (for smells). Bought a 32 gallon round plastic garbage can (no wheels) with animal proof locking lid. Mark drilled small holes for air in a grid pattern. Each hole about 4"apart, on the sides. I am alternating my brown and green layers, watering to damp sponge wetness, and rolling the bin once a week. We shall see. Composting is what I promised to do for the "I pledge..." campaign.
*I have scheduled a paperdoll workshop with kids and their mothers at the local shelter to fulfill half of my Starbucks pledge to give 5 hours of service.
*Wrote letters to my PA congressmen and the PA Secretary of Education to ask them to support the reinstatement of PA Governor's Schools for Excellence. I couldn't be at the rally in Harrisburg today, but my heart is there.
Showing posts with label workshops. Show all posts
Showing posts with label workshops. Show all posts
Tuesday, March 10, 2009
Thursday, June 12, 2008
Coincidence?
I started off my day watching the Oprah Soul series interview that Oprah did with Dr. Wayne Dyer where he explains coincidence as a mathematical term used to describe two angles that fit together perfectly. Oprah countered with, "There are no coincidences." She used the word in the way we tend to use it today--as in surprise happenings.
I taught a workshop yesterday on Creative Journaling for artists. It was deeply satisfying. I got to explore the art making process and connect types of journaling to each part of the process. Then--to further instill it in my own mind, I got to teach it. I left my house with a smile, telling my son I was off to work. He said, "Yeah, but it's a job you love." That wasn't to discount my work, but to reinforce it.
I stopped in a cafe for coffee before my class and had some Ethiopian blend while journaling and finishing the final chapter in the Art and Fear book I am digesting. An interesting thing happened. I put off reading the last part of the book and instead wrote two poems. It has been a long time since I wrote poetry. I don't usually share my poems. Sometimes I take bits and pieces of them and use them in my novel writing. It was wonderfully freeing. Totally emboldening. Dare I say. . .decadent? I am being reunited with my words after a trial separation, and I am finding we are compatible. Why did we think we weren't?
I went to the workshop feeling light and happy. Eight people came, which is a great group size for me. Large enough to justify my time (and gas allowance) and small enough to interact. We brainstormed about what it is to be an artist. I read from Sue Bender's book Everyday Sacred. In the group itself, I reconnected with longtime participants and met some new faces. Though I travel 25 miles to teach this class, the newbies live three miles from my house. We discussed the local school system, where to buy raw milk, and cheesemaking. I found out that my new acquaintance is the baker who makes my favorite bread.
After the class, I again felt light. I bought some herbal bug repellent in Sarah's shop. My husband loves the scent; so if I can repel bugs and attract him, I am good for all the best possibilities of a summer evening. In addition, I had just finished reading Everyday Sacred which has as a running theme the symbolism of begging bowls. Tibetan monks go out and beg with their empty bowls and they learn to be grateful for whatever comes their way. I had been looking for a new summer purse. Radiance has lots of options made by Hemp Sisters. I picked up a particular bag that was woven with colorful fibers with black & white print accents. The print has a picture of a simple bowl. If that wasn't enough, when I found out that the colorful fibers were actually recycled Indian saris, I knew it was mine--in spite of the fact that my pay for giving the workshop was going to be seriously compromised by all my expenditures. And so, with my bug repellent/husband bait and my new purse, I left the shop and headed back to the cafe for my lunch date.
I was meeting a new friend Kathy who came to the labyrinth workshop at the end of May. She is a former fabric artist who is currently taking a course called Biography and Social Art at Sunbridge College in New York. We connected on about one hundred different levels. She was finishing a book by the author of Art and Fear so we discussed the things we both discovered from the books. We are both knitters, though Kathy is more actively so. She is doing an in-depth study of artist Judy Chicago for school. Judy Chicago had a great deal of influence over me and my art when I was in college and to this day. And Kathy's daughter lives in Northampton, MA, a town I love. So when Kathy asked if we could work together--she needs to practice coaching individuals as part of her program--I immediately agreed. With my scattered art and business practices I have been feeling the need for some unifying forces and direction. Coincidence? She asked that I come up with a central question around which to center our work. (Since the meeting, I've made a huge list of questions from which I hope to whittle down to one at our first session.)
If that wasn't enough, I came home to a surprise check in the mail. I sold another piece of art--one that, frankly, I forgot was hanging in a gallery. WOO HOO! I put the check in my begging bowl purse with much gratitude.
A cap on my day, I watched the movie Becoming Jane (about Jane Austen) with my daughter. (She is a big Anne Hathaway fan, and although she is more in the realm of The Princess Diaries--for literature as well as movies--she has watched Pride and Prejudice with me in the past.) We then proceeded to spend the rest of the day curtsying and perfecting our English accents.
A day of serendipity and light.
I taught a workshop yesterday on Creative Journaling for artists. It was deeply satisfying. I got to explore the art making process and connect types of journaling to each part of the process. Then--to further instill it in my own mind, I got to teach it. I left my house with a smile, telling my son I was off to work. He said, "Yeah, but it's a job you love." That wasn't to discount my work, but to reinforce it.
I stopped in a cafe for coffee before my class and had some Ethiopian blend while journaling and finishing the final chapter in the Art and Fear book I am digesting. An interesting thing happened. I put off reading the last part of the book and instead wrote two poems. It has been a long time since I wrote poetry. I don't usually share my poems. Sometimes I take bits and pieces of them and use them in my novel writing. It was wonderfully freeing. Totally emboldening. Dare I say. . .decadent? I am being reunited with my words after a trial separation, and I am finding we are compatible. Why did we think we weren't?
I went to the workshop feeling light and happy. Eight people came, which is a great group size for me. Large enough to justify my time (and gas allowance) and small enough to interact. We brainstormed about what it is to be an artist. I read from Sue Bender's book Everyday Sacred. In the group itself, I reconnected with longtime participants and met some new faces. Though I travel 25 miles to teach this class, the newbies live three miles from my house. We discussed the local school system, where to buy raw milk, and cheesemaking. I found out that my new acquaintance is the baker who makes my favorite bread.
After the class, I again felt light. I bought some herbal bug repellent in Sarah's shop. My husband loves the scent; so if I can repel bugs and attract him, I am good for all the best possibilities of a summer evening. In addition, I had just finished reading Everyday Sacred which has as a running theme the symbolism of begging bowls. Tibetan monks go out and beg with their empty bowls and they learn to be grateful for whatever comes their way. I had been looking for a new summer purse. Radiance has lots of options made by Hemp Sisters. I picked up a particular bag that was woven with colorful fibers with black & white print accents. The print has a picture of a simple bowl. If that wasn't enough, when I found out that the colorful fibers were actually recycled Indian saris, I knew it was mine--in spite of the fact that my pay for giving the workshop was going to be seriously compromised by all my expenditures. And so, with my bug repellent/husband bait and my new purse, I left the shop and headed back to the cafe for my lunch date.
I was meeting a new friend Kathy who came to the labyrinth workshop at the end of May. She is a former fabric artist who is currently taking a course called Biography and Social Art at Sunbridge College in New York. We connected on about one hundred different levels. She was finishing a book by the author of Art and Fear so we discussed the things we both discovered from the books. We are both knitters, though Kathy is more actively so. She is doing an in-depth study of artist Judy Chicago for school. Judy Chicago had a great deal of influence over me and my art when I was in college and to this day. And Kathy's daughter lives in Northampton, MA, a town I love. So when Kathy asked if we could work together--she needs to practice coaching individuals as part of her program--I immediately agreed. With my scattered art and business practices I have been feeling the need for some unifying forces and direction. Coincidence? She asked that I come up with a central question around which to center our work. (Since the meeting, I've made a huge list of questions from which I hope to whittle down to one at our first session.)
If that wasn't enough, I came home to a surprise check in the mail. I sold another piece of art--one that, frankly, I forgot was hanging in a gallery. WOO HOO! I put the check in my begging bowl purse with much gratitude.
A cap on my day, I watched the movie Becoming Jane (about Jane Austen) with my daughter. (She is a big Anne Hathaway fan, and although she is more in the realm of The Princess Diaries--for literature as well as movies--she has watched Pride and Prejudice with me in the past.) We then proceeded to spend the rest of the day curtsying and perfecting our English accents.
A day of serendipity and light.
Labels:
Art and Fear,
coincidence,
poetry,
workshops
Tuesday, June 3, 2008
Experience the Spiral
Back in Sarah's garden on Saturday. (Sarah is the owner of Radiance, the store in Lancaster where I give journaling workshops.) This time, I was the workshop leader along with Christine Cappabianca. We were doing a workshop to experience Sarah's garden spiral in conjunction with Kundalini yoga and journaling. The concept was simple: we were going to spiral our day around the centerpiece of the labyrinth. Meditation, yoga, journaling, walk the labyrinth, silent lunch, journaling, yoga, meditation. The rains changed our plan a little. We knew they were coming so we walked the outdoor labyrinth between the sprinkles right after our first meditation. Sarah's labyrinth is a 7-circuit labyrinth which means it has 7 paths. These correspond well to the chakra system which is a system of energy centers on the spine. Chris led an exploration on these centers in a series of spinal exercises. I did the same with journaling, having each participant explore the messages of the energy surrounding these points. The rain turned the workshop into a very contemplative, inwardly focused, mindful event. Most of the participants were new to walking a labyrinth. We used an indoor labyrinth later in the day which gave a better sense of the geometry. (The herbal labyrinth is lovely and fairly zings with energy, but sometimes, the sense of line is lost among the ferns.) The silent lunch was interesting. It was harder than I thought it would be to be silent, but it held us in purpose. I found I didn't want to make eye contact because I didn't want to intrude on another person's thoughts. The day went so fast. We didn't get in all the things we wanted to do, but we were successful in what we did accomplish. The shared energy was a magnificent force. What is great for me, is the level of excitement I have for such events. I would have attended this workshop if I were not teaching it, so it was a double treat for me, as practitioner and teacher. I hope to have more such workshops in the future. I see the possibilities.
**A great site for people to start exploring labyrinths.
**A great site for people to start exploring labyrinths.
Tuesday, December 18, 2007
Manifestation and Flow
On Wednesday, I led a workshop on manifestation journaling at Radiance. We had a good turnout. The bulk of the workshop was spent making a manifestation collage for the New Year. Cutting and pasting images and words. Infusing them with intention as we glued them into place. The resulting pieces then gave us a visual on which to train our minds.
I like giving workshops because they allow me to study and practice the subjects that interest me in a way that gives my study purpose other than my own enjoyment. (In other words, I get to tell my husband that I am preparing to teach a workshop when, in fact, I am just reading about something that interests me.) Last month, my workshop was supposed to be about FLOW in journaling and in life. We didn't have enough participants to make that fly. I was hoping to do that workshop before the workshop on manifestation because I was going to concentrate on the phenomenon of flow (which I describe as a river of energy that moves us in the direction of our goals). When we align ourselves with the flow, we are able to accomplish things with more efficiency. In discussing flow, I was going to focus on impediments to the flow and how to move past them. You can see why I would want to address this before moving on to manifestation. Now, I will be giving this workshop in February. And yet, it is working according to plan. While we were collaging, someone recommended a book on flow that I had not read. Most of my research came from people who were looking at flow as a spiritual force, a universal energy reserve that individuals can tap into and activate as they simultaneously lose themselves in the collective.
The recommended book, one that I am half-way finished reading, is called Flow, The Psychology of Optimal Experience by Mihaly Csikszentmihalyi. It deals with flow as a psychological experience which imprints on the quality of life. I find it fascinating as I see the same phenomenon through a scientific lens. The book is anecdotal enough to keep it from being dry, but this is no self-help tome. Still, it offers insights on personality and the mechanics of the optimal experience (Dare I say---happiness?) that can be used to question ones own practices. It is interesting that the more I delve into creative journaling practices, the more I learn about psychology. Jungian interpretation of mandalas, for example. Mandalas were another subject that I first approached from the realms of the spiritual and of art. Art, writing, religion, science: It's all interconnected.
I like giving workshops because they allow me to study and practice the subjects that interest me in a way that gives my study purpose other than my own enjoyment. (In other words, I get to tell my husband that I am preparing to teach a workshop when, in fact, I am just reading about something that interests me.) Last month, my workshop was supposed to be about FLOW in journaling and in life. We didn't have enough participants to make that fly. I was hoping to do that workshop before the workshop on manifestation because I was going to concentrate on the phenomenon of flow (which I describe as a river of energy that moves us in the direction of our goals). When we align ourselves with the flow, we are able to accomplish things with more efficiency. In discussing flow, I was going to focus on impediments to the flow and how to move past them. You can see why I would want to address this before moving on to manifestation. Now, I will be giving this workshop in February. And yet, it is working according to plan. While we were collaging, someone recommended a book on flow that I had not read. Most of my research came from people who were looking at flow as a spiritual force, a universal energy reserve that individuals can tap into and activate as they simultaneously lose themselves in the collective.
The recommended book, one that I am half-way finished reading, is called Flow, The Psychology of Optimal Experience by Mihaly Csikszentmihalyi. It deals with flow as a psychological experience which imprints on the quality of life. I find it fascinating as I see the same phenomenon through a scientific lens. The book is anecdotal enough to keep it from being dry, but this is no self-help tome. Still, it offers insights on personality and the mechanics of the optimal experience (Dare I say---happiness?) that can be used to question ones own practices. It is interesting that the more I delve into creative journaling practices, the more I learn about psychology. Jungian interpretation of mandalas, for example. Mandalas were another subject that I first approached from the realms of the spiritual and of art. Art, writing, religion, science: It's all interconnected.
Labels:
Carl Jung,
Flow,
journaling,
Mandalas,
manifestation,
Mihaly Csikszentmihalyi,
workshops
Sunday, November 11, 2007
Being flexible
Yesterday I spent time doing things that were not on my to-do list (except for grocery shopping, but I forgot a portion of the things I wanted to get.) I made an unexpected purchase of ground meat (combo of beef, pork, and veal) which I customarily use to make meatballs. So I decided to make some meatballs to freeze. I also went with my husband to pick up an extra bed at my brother-in-law's house. It is part of his and my husband's childhood bunk beds. We have the other half. This necessitated a trip to the hardware store to get...well...hardware, for the beds. Because we do not live in close proximity to shopping, we decided to go out and hit some stores--while we were out and about. My husband got some running clothes (that will be a Christmas gift) and I got fabric remnants to make a thanksgiving table-runner. After all that, I needed a nap (more because I haven't been sleeping well than because of the rigors of shopping, but it was unplanned, at any rate.) Then it was off to watch college football with our friends. (This was planned, but it was supposed to be relaxing because I had accomplished all that I wanted to get done, namely prepare for my workshops and cover my kitchen chairs.)
So here I am in the early, early AM on Sunday morning, putting the finishing touches on my workshop presentations. I always get a little nervous before I begin. Too many variables to be secure in the process, some of which is out of my control. I will let you know how it goes. Today, also, we are welcoming my son's friend, who, due to a changed circumstance, is going to be spending the week with us. It probably won't be the last time, either. Hence, the additional bunk. I am grateful for all the people who have offered to help, and who are helping us to make his stay a smooth one, both for him and our family. That is my gratitude for today.
So here I am in the early, early AM on Sunday morning, putting the finishing touches on my workshop presentations. I always get a little nervous before I begin. Too many variables to be secure in the process, some of which is out of my control. I will let you know how it goes. Today, also, we are welcoming my son's friend, who, due to a changed circumstance, is going to be spending the week with us. It probably won't be the last time, either. Hence, the additional bunk. I am grateful for all the people who have offered to help, and who are helping us to make his stay a smooth one, both for him and our family. That is my gratitude for today.
Friday, November 9, 2007
Morning Journaling Practice
Hold out for shameless promotion. I am teaching two Morning Journaling workshops at Woman to Woman event this Sunday at the Lancaster YWCA. Many women giving many workshops and offering services such as massage and Reiki. Proceeds benefit domestic violence shelters and violence prevention programs. All for the low admission price of $12. It's a great deal. Food concession and a woman-crafted market is also available. The theme this year is AWAKENINGS.
I am looking forward to teaching my workshops. They will be a little different from my usual creative journaling workshops. For the most part, I espouse a carefree approach to journaling. It doesn't need to be daily. It doesn't and shouldn't just be about the writing. Add paint. Add magazine pictures. Color mandalas. Write Haiku. Get dirty.
But the Morning Journaling workshop is about ritual and commitment. I am not a ritualistic, meditative journaler--except in the time between Thanksgiving and New Years. And then, my journaling surges. It is almost a survival instinct I have. I like Thanksgiving and look forward to it, but Christmas, to me, is filled with such pressure--especially (in my experience) for the women of the household. I admit that I take on this responsibility and tend not to ask for help. I have a ridiculous Holiday Card list, and I feel the need to be creative--not just send out signed boxed cards. I hate to go shopping. Money always seems tight. I also have a problem with darkness. It is hard on me--and my family. I am miserable grouch until I sit in the serenity that is our church's Winter Solstice service.
So, I was glad to research morning journaling at this time of year when I can use it most. My morning walk is out--too dark in the country. Not enough sidewalks. So I write and prepare myself for the new year. In the past I have most often prescribed to the Julia Cameron morning pages form for my writing, but I have been looking into other options including setting intentions, creating your day, as well as poetry and work with color. I am extremely excited to give this workshop because in teaching, I always have a fuller experience of the subject, and I love interacting with other women. (My solitary daily life doesn't allow for enough of that.)
If you are in the area, please come out for the event. I promise that you will leave the YWCA with a lighter step than when you entered. You'll meet the most magnificent women, it is for a good cause, and you can enter the holiday season with new strategies.
I am looking forward to teaching my workshops. They will be a little different from my usual creative journaling workshops. For the most part, I espouse a carefree approach to journaling. It doesn't need to be daily. It doesn't and shouldn't just be about the writing. Add paint. Add magazine pictures. Color mandalas. Write Haiku. Get dirty.
But the Morning Journaling workshop is about ritual and commitment. I am not a ritualistic, meditative journaler--except in the time between Thanksgiving and New Years. And then, my journaling surges. It is almost a survival instinct I have. I like Thanksgiving and look forward to it, but Christmas, to me, is filled with such pressure--especially (in my experience) for the women of the household. I admit that I take on this responsibility and tend not to ask for help. I have a ridiculous Holiday Card list, and I feel the need to be creative--not just send out signed boxed cards. I hate to go shopping. Money always seems tight. I also have a problem with darkness. It is hard on me--and my family. I am miserable grouch until I sit in the serenity that is our church's Winter Solstice service.
So, I was glad to research morning journaling at this time of year when I can use it most. My morning walk is out--too dark in the country. Not enough sidewalks. So I write and prepare myself for the new year. In the past I have most often prescribed to the Julia Cameron morning pages form for my writing, but I have been looking into other options including setting intentions, creating your day, as well as poetry and work with color. I am extremely excited to give this workshop because in teaching, I always have a fuller experience of the subject, and I love interacting with other women. (My solitary daily life doesn't allow for enough of that.)
If you are in the area, please come out for the event. I promise that you will leave the YWCA with a lighter step than when you entered. You'll meet the most magnificent women, it is for a good cause, and you can enter the holiday season with new strategies.
Wednesday, October 10, 2007
Mandalas: Focused Color in Journaling
I have long taught creative journaling classes that stem from the belief that the benefits of journaling can be compounded if you use art in your process. This gives the brain visual and verbal languages with which to process and communicate. I have given these workshops at many places, and the results have been phenomenal. I am preparing to teach a series of workshops on journaling. This is the first time I have done a series of workshops, and the hope is that I, and the participants, will be able to explore more topics on a deeper level. The first workshop delves into color and takes place Wednesday, October 17th from 10AM-12 PM at Radiance in Lancaster.
One aspect we will explore will be color relationships in mandalas. Mandala is a Sanskrit word that means circle, completion, or whole world. Basically, they are circular pictures that have been used in various cultures as a focusing tool to aid meditation and spiritual enlightenment. You can find examples of mandalas in Tibetan Sand Paintings, Native American Medicine wheels, and Rose windows from Gothic Cathedrals. Carl Jung, the famous psychoanalyst, saw the mandala as a representation of the unconscious self. He felt that work with mandalas helped him to diagnose emotional disorders in his patients and work towards healing the personality.
In my color workshops, I will be focusing on use of personal color codes in pre-drawn mandalas, though I hope to explore all aspects of mandala creation in later workshops. But for now the experience of color is a large enough field to immerse one's self. Try it for yourself. Here is a link to a Mandala. Pick up some crayons, colored pencils and go. While you are coloring in your mandala, feel the meditative state--the relaxing quality of primitive activity. Once you are done, you can analyze your creation.
What do the colors say about your mood?
What colors are on the outer edges of the mandala? Which colors are closest to center? What experiences and emotions do you relate with those colors?
Is there a color that isn't present in your mandala? Why is it absent? What qualities are missing in your day or in your life?
This is just one of the exercises we will be doing in the color class. My hope is to expose the participants to many forms of color journaling available so they have a plethora of ideas to choose from when they are journaling/journeying at home.
One aspect we will explore will be color relationships in mandalas. Mandala is a Sanskrit word that means circle, completion, or whole world. Basically, they are circular pictures that have been used in various cultures as a focusing tool to aid meditation and spiritual enlightenment. You can find examples of mandalas in Tibetan Sand Paintings, Native American Medicine wheels, and Rose windows from Gothic Cathedrals. Carl Jung, the famous psychoanalyst, saw the mandala as a representation of the unconscious self. He felt that work with mandalas helped him to diagnose emotional disorders in his patients and work towards healing the personality.
In my color workshops, I will be focusing on use of personal color codes in pre-drawn mandalas, though I hope to explore all aspects of mandala creation in later workshops. But for now the experience of color is a large enough field to immerse one's self. Try it for yourself. Here is a link to a Mandala. Pick up some crayons, colored pencils and go. While you are coloring in your mandala, feel the meditative state--the relaxing quality of primitive activity. Once you are done, you can analyze your creation.
What do the colors say about your mood?
What colors are on the outer edges of the mandala? Which colors are closest to center? What experiences and emotions do you relate with those colors?
Is there a color that isn't present in your mandala? Why is it absent? What qualities are missing in your day or in your life?
This is just one of the exercises we will be doing in the color class. My hope is to expose the participants to many forms of color journaling available so they have a plethora of ideas to choose from when they are journaling/journeying at home.
Labels:
color,
creative journaling,
Mandalas,
workshops
Wednesday, October 3, 2007
Technicolor cold
I have a cold, and it is messing up my plans. After hanging my art show, I was once again going to get down to business with a hard-core, don't-interrupt-me, write-in-the-morning, paint-in-the-afternoon schedule. Instead, I find myself directed by my waning energies more than some time-specific outline I penned a week ago. Lower-leg step workout at high noon? 1500 words of elegant prose in two hours. HA!
I've been trying to do things that are productive even if I am not doing things that take long periods of flowing mind power or much energy. Yesterday, I picked up books to sell at my artist reception. I took photos of a place I am considering for a landscape painting. (All feedback suggests I should do more of these.) I even went digital camera shopping with my parents. All of this came in and around my napping and food-network watching (great exercise to watch FoodTV when you have no appetite).
Today, I made myself a little nest on my chair and ottoman to work on my upcoming events. I surrounded myself with journaling and art books and books on color theory. This fall I am teaching 5 different courses on creative journaling--all on different topics. I am doing an introductory presentation to a group of professionals in the wellness industry. At Woman-to Woman, I will do workshops on morning journaling practices. Finally, I am doing a series of monthly Deep Journaling classes at Radiance in Lancaster. The themes for this fall series are: color, flow, and manifesting.
Today's research concentrated on color. I have done so much work with color over my life and have used this element in many of my workshop offerings, but I have never done a whole class on it. Now after doing some research, I see I could do a whole series on color journaling. This is exciting for me, as I am looking to expand my workshop business. I love to combine my love of art and writing and bring it to life for others. I come from a family of teachers, so that part comes easily to me, too.
In future blog entries, I will bring you some of the subjects I find fascinating about my work to bring my workshops to life. Maybe I can inspire some of you to begin your own creative journaling practices. Hey--if it can rouse me from a state of misery and congestion--think what it can do for you.
I've been trying to do things that are productive even if I am not doing things that take long periods of flowing mind power or much energy. Yesterday, I picked up books to sell at my artist reception. I took photos of a place I am considering for a landscape painting. (All feedback suggests I should do more of these.) I even went digital camera shopping with my parents. All of this came in and around my napping and food-network watching (great exercise to watch FoodTV when you have no appetite).
Today, I made myself a little nest on my chair and ottoman to work on my upcoming events. I surrounded myself with journaling and art books and books on color theory. This fall I am teaching 5 different courses on creative journaling--all on different topics. I am doing an introductory presentation to a group of professionals in the wellness industry. At Woman-to Woman, I will do workshops on morning journaling practices. Finally, I am doing a series of monthly Deep Journaling classes at Radiance in Lancaster. The themes for this fall series are: color, flow, and manifesting.
Today's research concentrated on color. I have done so much work with color over my life and have used this element in many of my workshop offerings, but I have never done a whole class on it. Now after doing some research, I see I could do a whole series on color journaling. This is exciting for me, as I am looking to expand my workshop business. I love to combine my love of art and writing and bring it to life for others. I come from a family of teachers, so that part comes easily to me, too.
In future blog entries, I will bring you some of the subjects I find fascinating about my work to bring my workshops to life. Maybe I can inspire some of you to begin your own creative journaling practices. Hey--if it can rouse me from a state of misery and congestion--think what it can do for you.
Labels:
color,
creative journaling,
journals,
Radiance,
sick,
Woman to Woman,
workshops
Wednesday, September 12, 2007
Rainy day sunshine
It rained yesterday. The sky opened up and let us have it. I love the rain. For some reason it seems to recharge me. Must be the ions in the water or the fact that I'm a Pisces. Who am I to question such things? I had a great rainy day yesterday. I met with the owner of Radiance in Lancaster. We came up with a schedule for some deep journaling classes that I will facilitate this fall. (As soon as I finish this blog, I'll update the news section of my webpage.) From there, I walked in the rain to an art gallery on gallery row to talk with the manager. She loved my work--particularly my portraits. I've always loved them, too. They are what I enjoy doing because they are so personal to me. I thought that they might be too personal to have universal appeal, so I tried other subjects. Those, too, were well-received, but my portraits were the standout, for this gallery manager and others I have surveyed. I also got some guidelines on pricing, which will help me set up for my show at Moon Dancer Winery in October. I felt very good about my meeting. I guess I needed evidence that, although I think of myself as an artist, others take me seriously as well. I am hoping for a show in 2009 from the gallery I visited. This means I'll have to decide what I should do in the interim. What is my plan for 2008. HMM?
My final stop of the day was to the home of Sally Watkins, my 12th grade English teacher. Sally invited me to join her book club as my book was their featured selection for the month. (Thank you Linda Hilton for choosing the book.) I do have appearances scheduled at other book clubs, but this was my first. More than discussing the book, the women were interested in the writing process. I enjoyed sharing my insights and getting feedback. I've said it before: when you write a book, you are looking to engage others in a conversation. So for me, this was the biggest payoff. I've admired Sally as a teacher (you'll find her name in the acknowledgements), so it was a great privilege to be invited into the realm of her book club.
All in all, it was a great day for the ego. As an artist, you really need to soak these day into your being. Being an artist is a struggle. Being a writer is a struggle. It isn't about the angst like people suspect. At least not for me. I don't have days of torture-- thinking deep thoughts about the origins of creativity. But I do struggle with self-doubt. I struggle with the feeling that I work ten times as hard for one/tenth the payoff. You have to really love what you are doing. So rainy days--days filled with ego gratification--are gifts from the heavens.
My final stop of the day was to the home of Sally Watkins, my 12th grade English teacher. Sally invited me to join her book club as my book was their featured selection for the month. (Thank you Linda Hilton for choosing the book.) I do have appearances scheduled at other book clubs, but this was my first. More than discussing the book, the women were interested in the writing process. I enjoyed sharing my insights and getting feedback. I've said it before: when you write a book, you are looking to engage others in a conversation. So for me, this was the biggest payoff. I've admired Sally as a teacher (you'll find her name in the acknowledgements), so it was a great privilege to be invited into the realm of her book club.
All in all, it was a great day for the ego. As an artist, you really need to soak these day into your being. Being an artist is a struggle. Being a writer is a struggle. It isn't about the angst like people suspect. At least not for me. I don't have days of torture-- thinking deep thoughts about the origins of creativity. But I do struggle with self-doubt. I struggle with the feeling that I work ten times as hard for one/tenth the payoff. You have to really love what you are doing. So rainy days--days filled with ego gratification--are gifts from the heavens.
Labels:
book clubs,
ego,
gallery,
Moon Dancer winery,
painting,
workshops
Tuesday, September 11, 2007
Triathlon
Over the weekend, our friend Jeff competed in a triathlon. He's done them before, but this was the first at this length (mile swim, 20 mile ride, 10K run). And he did well, too. I could never do a triathlon. First of all, I don't swim. My sister-in-law and I ran in the Chicago marathon 4 years ago. That was a once and done thing. As women who gave birth sans drugs, we didn't feel the need to use the marathon experience as a springboard for other forms of physical torture. So no triathlons in my future.
But I am thinking of Jeff as I begin my day. This morning, I am going to meet with a woman who owns a business in Lancaster about giving journaling workshops in her store. (Workshops--event 1) Then I am taking my paintings to a gallery manager to have a frank discussion about my work and the business of selling fine art. (Painting--event 2). Then for the final event of the evening, I am attending a book club in the capacity of the author of the club selection. This book club happens to be hosted by my 12th grade honors English teacher, whom I haven't seen in 20 years. (Writing--event 3).
So, here I am, my triple-threat self (HA!). Trying to decide if cross-training is a good thing, something greater than the sum of the parts, or if I am spreading myself too thin. I'll probably be able to better answer that riddle tomorrow.
But I am thinking of Jeff as I begin my day. This morning, I am going to meet with a woman who owns a business in Lancaster about giving journaling workshops in her store. (Workshops--event 1) Then I am taking my paintings to a gallery manager to have a frank discussion about my work and the business of selling fine art. (Painting--event 2). Then for the final event of the evening, I am attending a book club in the capacity of the author of the club selection. This book club happens to be hosted by my 12th grade honors English teacher, whom I haven't seen in 20 years. (Writing--event 3).
So, here I am, my triple-threat self (HA!). Trying to decide if cross-training is a good thing, something greater than the sum of the parts, or if I am spreading myself too thin. I'll probably be able to better answer that riddle tomorrow.
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